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Women of vision : histories in feminist film and video / Alexandra Juhasz, editor

Monografía Additional authors: Juhasz, Alexandra Series: (Visible evidence . ; 9) Published by : : University of Minnesota Press (Minneapolis | ; London) , 2001 Physical details: 343 p. : il. bl. y n. ; 26 cm ISBN: 0816633711 (alk. paper); 081663372X (pbk.: alk. paper). Subject(s): Emakumeak -- -Zineman | Mujeres -- -En el cine | Emakumeak -- -Zineman | Directores de cine -- -Estados Unidos | Zinema zuzendariak -- -Ameriketako Estatu Batuak | Mujeres -- -En el cine Monografía Item type: Monografía
Itemtype: Monografía
List(s) this item appears in: "Pasahitzak 13. KICK IN THE EYE" erakusketa / Exposición "Contraseñas 13. KICK IN THE EYE" / "Passwords 13. KICK IN THE EYE" exhibition | "REFERENCIAS. 1974-2013. ERREFERENTZIAK" Erakusketa / Exposición / Exhibition. Libros expuestos / Erakutsitako liburuak (Bloque 1 / 1. Atala) | ERREFERENTZIAK III. ARTEA ETA ZINEMA. Erakusketa [Zinemaren Historia eta Teoria Atala] / REFERENCIA S III. CINE Y ARTE. Exposición [Bloque Historia y Teoría del cine]
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Sección General CRITICA E 791.43-055.2 WOM -- Available

Mujeres participantes en las entrevistas realizadas: Pearl Bowser, Margaret Caples, Michelle Citron, Megan Cunningham, Cheryl Dunye, Vanalyne Green, Barbara Hammer, Kate Horsfield, Carol Leigh, Susan Mogul, Juanita Mohammed, Frances Negrón-Muntaner, Eve Oishi, Constance Penley, Wendy Quinn, Julia Reichert, Carolee Schneemann, Valerie Soe, vicotira Vesna e Yvonne Welbon

Alexandra Juhasz asked twenty-one women to tell their stories-women whose names make up a who is (and who will be) who of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today.
These women shaped late twentieth-century film and video in fundamental ways, either as artists, producers, distributors, critics, or scholars, and they all believe that media are the most powerful tools for effecting change. Yet they are a very diverse group, with widely varying personal and professional backgrounds. By presenting their interviews together, Juhasz shows the differences among those involved in feminist media, but also the connections among them, and the way in which the field has been enriched by their sharing of knowledge and power.
Interviewees: Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negrón-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Schneemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon.

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