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The cinematic / edited by David Campany

Monografía Additional authors: Campany, David Series: (Documents of Contemporary Art Series) Edition statement:1st publ Published by : : Whitechapel Gallery | : MIT Press (London | ; Cambridge) , 2007 Physical details: 221 p. ; 21 cm ISBN: 9780262532884 (The MIT Press)); 9780854881529 (Whitechapel). Subject(s): Argazkilaritza | Artea -- -Saiakerak | Cinematografía | Zinematografia | Fotografía | Arte -- -Ensayos Monografía Item type: Monografía
Itemtype: Monografía
List(s) this item appears in: "REFERENCIAS. 1974-2013. ERREFERENTZIAK" Erakusketa / Exposición / Exhibition. Libros expuestos / Erakutsitako liburuak (Bloque 1 / 1. Atala) | ERREFERENTZIAK III. ARTEA ETA ZINEMA. Erakusketa [Zinemaren Historia eta Teoria Atala] / REFERENCIA S III. CINE Y ARTE. Exposición [Bloque Historia y Teoría del cine]
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Sección General CRITICA E 7.038:82-4 CIN -- Available

Bibliografía: p. 214-217. Índice

Contiene: When to be fast? When to be slow? / David Campany, 2003 -- Never seen this picture before, Muybridge in multiplicity / Tom Gunning, 1913 -- Montage is conflict / Sergei Eisenstein, 1929 -- A few brief moments of cinematic time / Michael Tarantino, 1999 -- On the snapshot / Carlo Rim, 1930 -- Images á la sauvette / Henri Cartier-Bresson, 1952 -- The face of Garbo / Roland Barthes, 1957 -- Warhol shoots empire / Jonas Mekas, 1964 -- Time exposure and snapshot; the photograph as paradox / Thierry de Duve, 1978 -- On photography and cinema / Agnès Varda, 1984 -- Beyond the movement-image / Gilles Deleuze, 1985 -- The ballard of sexual dependency / Nan Goldin, 1986 -- Cool memories / Jean Baudrillard, 1996 -- Photography / Siegfried Kracauer, 1927 -- Image sequences/series / László Moholy-Nagy, 1946 -- Observations on the long take / Pier Paolo Pasolini, 1967 -- Time sequences, continuity of movement / Wim Wenders, 1971 -- The pivot of the world: photography and its nation / Blake Stimson, 2006 -- Moving pictures / Beaumont Newhall, 1937 -- Wavelength by Michael Snow / Steve Reich, 1968 -- The imaginary of the photograph in film theory / Constance Penley, 1984 -- The pensive spectator / Raymond Bellour, 1984 -- Photography and fetish / Christian Metz, 1985 -- Stillness in the moving image / Laura Mulvey, 2003 -- Why I go to the movies alone / Richard Prince, 1983 -- Photography and cinema /Catherine David, 1989 -- Melancholic mutations in Cindy Sherman’s film stills / Régis Durand, 1996 -- An email exchange / Jeff Wall and Mike Figgis, 2005 -- Interview with Anna Holtzman / Gregory Crewdson, 2006 -- On photography / Susan Sontag, 1977 -- La jetée / Chris Marker, 2003 -- The dialectical image, la jetée and photography-as-cinema / Uriel Orlow, 1999-2006 -- Safety in numbness : some remarks on problems of “Late photography” / David Campany, 2003 -- In her own time, interview with Miriam Rosen / Chantal Akerman, 2004 -- Possessive, pensive and possessed / Victor Burgin, 2006.

Artists, photographers and filmmakers surveyed include Chantal Akerman,Michelangelo Antonioni, James Coleman, Gregory Crewdson, Tacita Dean, Willie Doherty, Stan Douglas, Douglas Gordon, Chris Marker, Steve McQueen, Eadweard Muybridge, Sophie Ristelhueber, Rosemarie Trockel, Cindy Sherman, Michael Snow, Bill Viola, Jeff Wall, Andy Warhol, Wim Wenders, Writers include Roland Barthes, Jean Baudrillard, Raymond Bellour, Anton Giulio Bragaglia, Victor Burgin, Henri Cartier-Bresson, Catherine David, Gilles Deleuze, Régis Durand, Thierry de Duve, Sergei Eisenstein, Mike Figgis, Susanne Gaensheimer, Nan Goldin, Tom Gunning, Cristian Metz, Laura Mulvey, László Moholy-Nagy, Beaumont Newhall, Uriel Orlolw, Pier Paolo Pasolini, Constance Penley, Richard Prince, Steve Reich, Carlo Rim, Susan Sontag, Blake Stimson, Michael Tarantino, Agnès Varda, Peter Wollen.
This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists, including James Coleman, Phili-Lorca di Corcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman and Jeff Wall, among many others.
The Cinematic is one of a series documenting major themes and ideas in contemporary art.

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